Wednesday, August 16, 2006


Cure


Synopsis
A series of gruesome serial killings are linked together by an mysterious young man who appears to wield a power strong enough to make normal people commit horrible crimes. (NR, 2001)



Observations
I love Japanese horror films. I love the pacing, the music, the subtle acting, and the sometimes-inscrutable plots. This film is no different. Detective Takabe (Koji Yakush), a man with his own demons, is investigating a string of murders that have one nasty link – an “X” carved into the necks of all the victims. When a mysterious stranger appears the detective and his psychiatrist friend Makoto Sakuma (Tsuyoshi Ujiki) try to figure out his connection to these crimes. The story unfolds like an X-File, a cool, minimal Japanese X-File. The mysterious young man’s powers are recognized early on; the rest of the film is dedicated to the mental struggle between the young man and the detective.

This movie has many philosophical overtones – who am I? am I always in control of myself? what influence do others have on me? But you don’t have to read Jung to get a thrill from this flick. Turn the lights down and enjoy the creepy ride!!

Rating:

Amazon's entry for Cure


Monday, August 14, 2006


Sound and Fury


Synopsis
Two brothers and their families try to decide where they stand on cochlear implants, a device with which a deaf person can gain some hearing. (NR, 2000)



Observations
At times this movie’s message is if you’re not deaf, you don’t get it. And that’s exactly how I felt. If a part of your body or your child’s body were broke, why wouldn’t you want to fix it? The arguments against getting the implant revolved mainly around the idea of “deaf culture.” To get a cochlear implant, the deaf parents felt, would alienate their child from the rich heritage of deaf culture. But is that an excuse? An excuse to keep their child not only close to them, but just like them? Is it child abuse to have this technology available and deny it to a child, in whom the formative years of language development are short-lived and critical to success? These questions are all raised in a compassionate but inquisitive way.

The idea of deaf culture was foreign to me. And I can see how to the older generation, who would not be helped by the implant, could feel that their culture was being threatened. But is it more important for your child to function in this deaf culture than to have all the opportunities a hearing person has? One hearing parent makes the observation – if your child is deaf, how can he be a surgeon? In thinking about that, there are many occupations that rely on hearing. Even the deaf father in the film agrees that although he has a white-collar job, he cannot climb much higher on the corporate ladder because of his disability. Why would you be willing to limit your child when the technology is available? Like I said, I don’t get it.

It was riveting to watch five-year-old children sign -- absolutely amazing, and a true tribute the visceral importance of our need to communicate. I was saddened watching the young girl play. She did her best to make Barbie sign, but it just doesn’t work. How isolating that must seem.

This film has translators for the deaf people. They sounded a little like Japanese anime characters, but it was tolerable. What was intolerable though was that there are NO subtitles with this film. Was this oversight, or a way of making the point that this is a hearing world? You decide.

Rating:

Amazon's entry for Sound and Fury


Monday, August 07, 2006

~~Thirteen~~ Caught this for the second time on IFC this weekend. I had forgotten how incredible the opening scene is. Doubts about having kids? This film could swing you in the direction of NO WAY! Though it lacks the cinéma vérité grittiness of Kids, the performances are superb and the camera work very intimate. If you missed this one the first time around, it’s definitely a must see. (R, 2002)
Rating:

Cache (Hidden)


Synopsis
Disturbing videotapes sent from an unknown source slowly tear apart a middle-class Parisian family. (R, 2005)



Observations
I have often heard the complaint that Americans want our movie plots spoon-fed to us. I sometimes have the converse of that complaint about French cinema – sometimes it’s just too damn obscure. Cache is a well-acted, suspenseful, unique and interesting drama. But there are so many loose ends, I felt like hiding under the sofa. There’s a great “OH MY GOD, WOW” scene and many textures and layers and dynamics. But there were so many points where the film was reveling in it’s obscurity a little too much for my liking. It’s hard to get a read on any of the characters and therefore difficult to be sympathetic.

While the movie questions how responsible we are for small transgressions made at a young age, it is also a study in the psychology of grudges. Perhaps the politics of the film would be clearer to a Parisian, but I would have liked a little more exposition. Overall, this could have been a great film, but it ended up just ok.

Watch the entire final scene (behind the credits). Some people swear that it brings the whole story together… I would argue it introduces even more confusion. What do you think??

Rating:

Amazon's entry for Cache


Friday, August 04, 2006

~~Clerks II~~ If you go into this film expecting anything other than Clerks in color with less witty and poignant dialogue, you will be sorely disappointed. That being said, it’s not horrible. Newcomer Trevor Fehrman almost steals the movie as the young, religious, Transformer-loving co-worker of Dante and Randal. I hope that Kevin Smith has more up his sleeve for the future, as now the New Jersey saga is over (ok, it was over way before this came out), and the world awaits. (R, 2006)
Rating:

The Aggressives


Synopsis
This documentary follows the lives of several woman who identify as lesbian and present themselves socially as men. (NR, 2005)



Observations
If there ever was a film to make you question some of your assumptions about sexuality and gender, this is it. Ripe with great quotes and queer conundrums (ha!), this documentary does a stellar job of handling a complicated issue without making the woman seem freakish or mentally unstable. These are women; women just living their lives. Most identify as aggressive butch, with femme-aggressive attitudes. But the splitting of sexuality and gender isn’t simple and that’s reflected here. One of the women says “I’m not a lesbian if I date transgendered people and have heterosexual sex with them.” Wow. Think about that for a second!

I found it curious that all but one of the women in the film were black (one was Asian). Is this perhaps a more culturally acceptable way for some people to come out as homosexual? Is it somehow easier to accept these rough and tumble lesbians than to accept lesbians who make other appearance and presentation choices? This film really drives home the fact that not only are we unique individuals, we also have the capacity to live outside the parameters with which we have been socially engrained. And live happily!

The quality of this film is quite good and the length of the film is exactly right. However, the director made some bizarre choices when subtitling -- occasionally perfectly clear dialogue is subtitled. Go with it. It’s worth it.

Rating:

Amazon's entry for The Aggressives